Our Members

Search for a particular member:

Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved
Approved

Member

Change your cover photo
Change your cover photo
I'm working on a large narrative series of sequential etchings that explore ideas around adolescent solipsism, escapism and bodily alienation. I think there's something in the formal remove provided by etching that makes it easier to harmonize different visual languages and story telling approaches, and that's really appealing to me. I have a BFA from the Ontario College of Art and Design and an MFA from Chelsea College of Art and Design, University of Arts London. My work is in the Permanent Collection of the Montreal Museum of Fine Art in Canada and The Archive of Modern Conflict in the UK.
This user account status is Approved