Kelsey Stephenson's exhibition, 'Flux', uses images from along the North Saskatchewan, Athabasca, and Bow rivers to create imagined landscapes of disparate places.

'Geometries of Difference' by Samar Hejazi speaks to the internally discontinuous repetition of acts through time that construct the performative role of identification.

By utilizing imagery of mirrors, Khadijah Morley’s work in 'Double Take' asks viewers to ruminate on the notion of spectatorship.

The recent photographs of Michelle Forsyth document her performative engagement with objects made and collected during the pandemic. The works chosen for this exhibition form a meditation on her time spent alone.