Main Gallery

Nick Novak Fellow: Michelle Forsyth

In this moment, there is no sound

DATE

October 29, 2021December 18, 2021

exhibitions

  • Michelle Forsyth, 'Herringbone Jacket, Reversed' detail (from the series: Improvisations), 2021, archival pigment print, edition 1/3, 24" x 24".
  • Main Gallery: Michelle Forsyth, 'In this moment, there is no sound’, 2021.
  • Michelle Forsyth, 'Herringbone Jacket, Reversed' (from the series: Improvisations), 2021, archival pigment print, edition 1/3, 24" x 24".
  • Main Gallery Exhibition: Michelle Forsyth, 'In this moment, there is no sound’, 2021.
  • Michelle Forsyth, ‘Notebook’ (from the series: Easily overlooked, yet carefully ar-ranged), 2021, archival pigment print, edition 1/3, 24” x 24”.
  • Main Gallery Exhibition: Michelle Forsyth, 'In this moment, there is no sound’, 2021.
  • Michelle Forsyth, 'Herringbone Jacket 1' detail (from the series: Improvisations), 2021, archival pigment print, edition 1/3, 24" x 24".
  • Main Gallery Exhibition: Michelle Forsyth, 'In this moment, there is no sound’, 2021.
  • Michelle Forsyth, 'Herringbone Jacket 1' (from the series: Improvisations), 2021, archival pigment print, edition 1/3, 24" x 24".

An image and price list is available here.

Read an artoronto.ca review of the exhibition here.


Each year, Open Studio awards two yearlong residencies to artists. The Nick Novak Fellowship* is awarded to an artist currently involved with Open Studio as an artist member. Recipients are provided with rent-free access to Open Studio facilities for one year, a materials bursary, professional development assistance, including access to Open Studio’s education program and a final exhibition.

*As of 2021-22, the Nick Novak Fellowship is referred to as the Nick Novak Mid-Career Printmaker Residency. More information about our residencies, including benefits, eligibility and requirements, is available here.

Michelle Forsyth was awarded the Nick Novak Fellowship in 2019-20, which was extended into 2020-21 due to the pandemic.

The recent photographs of Toronto-based artist Michelle Forsyth document her performative engagement with objects made and collected during the pandemic. The ten works chosen for In this moment, there is no sound, form a meditation on her time spent alone. Furthering her exploration of reproduction, pattern, and repetition, these works record the creative potential of the artist’s tremor in dialogue with the fine motor skills of her hand. At first glance, these artworks appear concise. The image elements, however, reflect the imperfections of touch through the handwork of the textiles, sculptural objects, and painted surfaces, and through hand-written contextual notes. Forsyth is interested in handcrafts as they pertain to irregularity, inefficiency and as the manifestation of haptic knowledge. The physical rhythms of making are time-consuming, and as an artist who lives with a progressive disease, she seeks to highlight the preciousness of time. As her physical capabilities decrease, each mark or stitch is cherished as a record of then.

Michelle Forsyth holds an MFA from Rutgers University and a BFA from the University of Victoria. Her work has been exhibited internationally in both group and solo exhibitions, and she has been the recipient of grants from the Canada Council for the Arts and The Toronto Arts Council. Her work in print has been supported by awards from the Larry Sommers Memorial Fellowship (Seattle Print Arts) and the Nick Novak Fellowship (Open Studio). Michelle Forsyth has been a resident at the Frans Masereel Centrum (Belgium), The Banff Centre, The Textile Centre (Iceland), and The University of Southern Maine (USA). She teaches at OCAD University (Toronto) and is represented by Corkin Gallery (Toronto).

Produced with the support of the City of Toronto through Toronto Arts Council
Toronto Arts Council


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