Using photos from her recent travels, Lavinia Lindsay reflects on things she learned about the Canadian landscape and explores their textures a second time through print.

'Overlook' features a body of work by carlina Chen that comments on how we relate to the spaces we move through and the temporal dimensions we occupy (like riding everyday transit). Chen includes maps, audio, and other print-based visuals.

'Natural Patterns, Woven Series' is part of an ongoing project by Sally Ayre about plant specimens and their seeds, which scatter to germinate new life cycles.

Michelle Forsyth's 'Films for Garments' features a suite of films, hand-painted on mylar, layered and tacked to the wall.

'The Oscilloscope Drawings' by Micah Lexier, is a set of ten photopolymer prints featuring imagery from a found technical manual.

Joy Wong's 'Skimming, skirmishing' explores the fight between interior and exterior worlds by meditating on the dirt that lives with us, on the in-betweenness of skin, boundaries, and thresholds.

'Moon Song' features a selection of Mokuhanga prints made by Liz Little during a recent residency in Japan.

'Generational Echoes' is part of Emma Nishimura's ongoing research that focuses on the narratives surrounding the Japanese Canadian internment. This body of work draws inspiration from the traditional form of Japanese packaging known as furoshiki.

'Shape Garden 2019', by Toronto-based artist Tom Lecuyer, features a monotype print and the woodblocks used to create it. Shape Garden draws attention to the printmaking process and explores the relationship between print and sculpture.

Shade, by Andrea deBruijn, is a group of prints generated from a single woodblock. Shade forms a covering of dark foliage, using pattern and three-dimensionality to draw the viewer closer.