'A TROPICAL GLOW BABY PRODUCTION: Remember the sun baby girl' is an expanded installation of Isabel Diana's MFA Thesis. The installation is a space for comfort and an act of reclaiming the body.

A repetition-based installation that extends Weisgerber's ongoing series: 'Price per Square Inch', exploring the system used to determine an artwork's market value.

By utilizing imagery of mirrors, Khadijah Morley’s work in 'Double Take' asks viewers to ruminate on the notion of spectatorship.

Using photos [as reference] from her recent travels across Canada, Lindsay reflects on the expansive Canadian landscape through a series of mezzotint printed works.

'Overlook' features a body of work by carlina Chen that comments on how we relate to the spaces we move through and the temporal dimensions we occupy (like riding everyday transit). Chen includes maps, audio, and other print-based visuals.

'Natural Patterns, Woven Series' is part of an ongoing project by Sally Ayre about plant specimens and their seeds, which scatter to germinate new life cycles.

Michelle Forsyth's 'Films for Garments' features a suite of films, hand-painted on mylar, layered and tacked to the wall.

'The Oscilloscope Drawings' by Micah Lexier, is a set of ten photopolymer prints featuring imagery from a found technical manual.

Joy Wong's 'Skimming, skirmishing' explores the fight between interior and exterior worlds by meditating on the dirt that lives with us, on the in-betweenness of skin, boundaries, and thresholds.

'Moon Song' features a selection of Mokuhanga prints made by Liz Little during a recent residency in Japan.