Michelle Forsyth's 'Films for Garments' features a suite of films, hand-painted on mylar, layered and tacked to the wall.

'The Oscilloscope Drawings' by Micah Lexier, is a set of ten photopolymer prints featuring imagery from a found technical manual.

Joy Wong's 'Skimming, skirmishing' explores the fight between interior and exterior worlds by meditating on the dirt that lives with us, on the in-betweenness of skin, boundaries, and thresholds.

'Moon Song' features a selection of Mokuhanga prints made by Liz Little during a recent residency in Japan.

'Generational Echoes' is part of Emma Nishimura's ongoing research that focuses on the narratives surrounding the Japanese Canadian internment. This body of work draws inspiration from the traditional form of Japanese packaging known as furoshiki.

'Shape Garden 2019', by Toronto-based artist Tom Lecuyer, features a monotype print and the woodblocks used to create it. Shape Garden draws attention to the printmaking process and explores the relationship between print and sculpture.

Shade, by Andrea deBruijn, is a group of prints generated from a single woodblock. Shade forms a covering of dark foliage, using pattern and three-dimensionality to draw the viewer closer.

A Twist of Lime is a visual play of pure abstraction. Work created by Artist Member Lorna Livey.

'Convergence North/South' features work by three artists from Nunavik, Qumaq Iyaituk, Mary Paningajak and Passa Mangiuk, who collaborated with Montreal-based artist Lyne Bastien to create a series of prints referencing objects from Inuit culture.

'The Laxgiik Convocation Robe' produced with Luke Parnell is an immersive installation, performance, and print of an original design based on Northwest coast Indigenous Chilkat blankets.