May 17, 2019 – June 15, 2019
Passage is a recent body of work by Laura Bydlowska which examines how strata intersect to create or limit access within a fictional landscape.
Members’ Ink 2019
May 3, 2019 – May 9, 2019
Members’ Ink is a silent auction in support of Open Studio’s programming, including exhibitions, education, and professional development and studio access for artists.
June 21, 2019 – July 20, 2019
Open Up is a collection of screenprints that tell stories of Victoria Day’s experiences with anxiety, depression, motivation and mental health.
Monarchs, Mexico and Milkweed
March 22, 2019 – April 20, 2019
Monarchs, Mexico and Milkweed is Liz Menard’s exploration of connections between an Artist Residency in Oregon’s high desert, a journey to Mexico to see Monarchs in their winter habitat and Milkweed - an important native species.
February 15, 2019 – March 16, 2019
Fatima Garzan’s multidisciplinary art practice includes painting, printmaking, and site-specific installation. Garzan combines decorative and geometric patterns found in Persian art and modifies them towards abstraction.
Beyond Statistics: The Artifacts of Inflation
January 11, 2019 – February 9, 2019
Beyond Statistics: The Artifacts of Inflation continues Heather Thomson’s visual and historical research into Papiermarks, the notoriously volatile currency used in Germany following World War I.
Get it together
October 19, 2018 – November 17, 2018
Alex R.M. Thompson
Variations on Urban Planning
September 14, 2018 – October 13, 2018
Variations on Urban Planning features work that aims to unpack the process of contemporary city building, drawing on the order/disorder of the construction site as its primary motif.
The Figure: Trials and Tribulations
June 15, 2018 – July 14, 2018
The Figure: Trials and Tribulations explores Nancy Hanada's struggles with experimentation and balancing reality versus imagination in creating figures using monotype printmaking. It is a journey that includes triumphs, disasters and happy accidents.
May 11, 2018 – June 9, 2018
Susan Cunningham elevates the gifts given to her by her students (she is an adult language teacher) by recreating them on paper four or more times their original size. They take on a monumental presence that honours the people who gifted them.