'Thank U, Next—27 Series' features prints created in 2019, Rachael Dodgson’s 27th year, which explore new techniques of combining the (often opposing) printmaking methods of screenprint and lithograph.

A collection of ‘postcards’ reflecting an ongoing conversation about the experience of place - physical and psychic - by artists Yael Brotman, Karen Curry, Liz Parkinson, Snaige Sileika and M.J. Steenberg, colloquially called the Gibson Girls.

A selection of prints by artists who worked under the tutelage of Otis Tamasauskas.

Open Up is a collection of screenprints that tell stories of Victoria Day’s experiences with anxiety, depression, motivation and mental health.

Passage is a recent body of work by Laura Bydlowska which examines how strata intersect to create or limit access within a fictional landscape.

Members’ Ink is a silent auction in support of Open Studio’s programming, including exhibitions, education, and professional development and studio access for artists.

Monarchs, Mexico and Milkweed is Liz Menard’s exploration of connections between an Artist Residency in Oregon’s high desert, a journey to Mexico to see Monarchs in their winter habitat and Milkweed - an important native species.

Fatima Garzan’s multidisciplinary art practice includes painting, printmaking, and site-specific installation. Garzan combines decorative and geometric patterns found in Persian art and modifies them towards abstraction.

Beyond Statistics: The Artifacts of Inflation continues Heather Thomson’s visual and historical research into Papiermarks, the notoriously volatile currency used in Germany following World War I.

This body of work by Meggan Winsley is about survival, and of wearing masks so that we may endure.