Passage continues Laura Bydlowska’s fascination with geologic cross-sections and forming fictional environments that exist below the surface.

Monarchs, Mexico and Milkweed is Liz Menard’s exploration of connections between an Artist Residency in Oregon’s high desert, a journey to Mexico to see Monarchs in their winter habitat and Milkweed - an important native species.

Fatima Garzan’s multidisciplinary art practice includes painting, printmaking, and site-specific installation. Garzan combines decorative and geometric patterns found in Persian art and modifies them towards abstraction.

Beyond Statistics: The Artifacts of Inflation continues Heather Thomson’s visual and historical research into Papiermarks, the notoriously volatile currency used in Germany following World War I.

This body of work by Meggan Winsley is about survival, and of wearing masks so that we may endure.

Variations on Urban Planning features work that aims to unpack the process of contemporary city building, drawing on the order/disorder of the construction site as its primary motif.

The Figure: Trials and Tribulations explores Nancy Hanada's struggles with experimentation and balancing reality versus imagination in creating figures using monotype printmaking. It is a journey that includes triumphs, disasters and happy accidents.

Susan Cunningham elevates the gifts given to her by her students (she is an adult language teacher) by recreating them on paper four or more times their original size. They take on a monumental presence that honours the people who gifted them.

Rebecca Cowan is a printmaker, book artist and arts educator based in Kingston, Ontario. Through her monotype series, Cowan explores how the ongoing conflict between security and freedom contributes to inner strength and psychological resilience.

Laine Groeneweg is a printmaker currently living in Hamilton, Canada. His latest work examines the properties of rust and its ability to be both an indicator of decay and the passage of time.