The grotesque body has no beginning or end; it takes up too much space and is ineffaceable from its environment. In Joy Wong's exhibition 'florescence', print cut-outs are pasted over each other on the gallery walls in an expansive collage.

In this new body of work, Tom Lecuyer asks the audience to consider the printmaking process and to question the nature of a print in general. This series is a continuation of the artists' exploration into the fundamental elements of printmaking.

Kelsey Stephenson's exhibition, 'Flux', uses images from along the North Saskatchewan, Athabasca, and Bow rivers to create imagined landscapes of disparate places.

The recent photographs of Michelle Forsyth document her performative engagement with objects made and collected during the pandemic. The works chosen for this exhibition form a meditation on her time spent alone.

'Over the Horizon', features artwork by Sadko Hadzihasanovic and Libby Hague, bringing together two different approaches to large-scale printmaking while exploring themes of storytelling and collectivity, violence and peace.

'Murmuration' brings together a community of Open Studio Artist Members to create a unique, interconnected print media project.

Each year Open Studio selects four professional artists with or without printmaking experience to create traditional and/or experimental works in the print medium of their choice, working collaboratively with a print media artist.

Richard Sewell co-founded Open Studio. 'wHerOccurence' features a variety of artworks Sewell refers to as ‘occurrences’, embracing the possibilities of mixing print with different media, including sculpture and installation.

'Where She Lives' presents a collection of print work by Ningiukulu Teevee, Saimaiyu Akesuk and Ooloosie Saila showcasing their interpretations of landscapes, wildlife and everyday ephemera.

In 'Afterdark', Agata Derda focuses on the exploration of interpersonal dynamics. In her prints, Derda substitutes human forms with modified vegetation or manmade objects that are staged in ambiguous, foreboding landscapes.