Gabriela Jolowicz captures fleeting scenes of everyday life in one of the oldest and most traditional visual media, the woodcut.

Philippe Blanchard's recent work explores printmaking and animation as expanded art forms, using the reaction of coloured lighting and printed pigment to generate the illusion of movement through sound and light installations.

Residue: Tracing the Lore is a collaboration between Brendan Tang and Diyan Achjadi. Through imprinting fragments of images onto their own skin, they explore the ways that ornamental motifs can reveal or reflect histories of migration.

This summer group exhibition, taking place in all three of Open Studio's galleries, is organized in collaboration with interns from the University of Toronto, Masters of Museum Studies Program.

Each year Open Studio selects four professional artists with or without printmaking experience to create traditional and/or experimental works in the print medium of their choice, working collaboratively with a print media artist.

Each year Open Studio selects four Visiting Artists. These exhibitions by Stephanie Cormier & Jacob Robert Whibley are the result of this intensive work period.

Ian Rubenzahl's How to Eclipse a Photograph is an exhibition that considers artificial vision analogues.

For Echolalias, Angela Silver will create a large scale, ephemeral drawing on the gallery walls using a hand-held typewriter ball as a drawing tool. Each strike of the ball will record marks on the wall with carbon paper.

A group exhibition curated by Barbara Balfour, À la recherche (in search of practice-based research), suggests a call in honour of research, as something to be celebrated.