'You really don't remember?' features a selection of artist proofs from Tyler Bright Hilton's ongoing series of narrative etchings. Mixing fictional and real-life people 'cast' as antagonists who symbolize different themes.

Judith Klugerman's work often recalls, in an abstract way, the colours and textures of places she has visited. These images engraved in Klugerman's memory are re-invented in her etchings, weavings, and paintings.

WITH/IN is a group exhibition that defines and responds to intimacy and connection at a time when, in the wake of the pandemic, interpersonal relationships are more isolated and digitally-focused than ever.

Inspired by depictions of the physical newspaper in popular culture, the print-based sculptures in 'roll! stack! fold! break! (old man yells at cloud)' by Pudy Tong, play up the notions of superficial knowing and tenuous materiality.

'Documenting Border Barriers' is an exhibition by Pamela Dodds that addresses the exponential rise in the building of fortified fences and walls between nations and territories to control and prevent the movement of people.

'Geometries of Difference' by Samar Hejazi speaks to the internally discontinuous repetition of acts through time that construct the performative role of identification.

The long history of vicious weapons adorned in beautiful engravings is remembered and reflected in this exhibition titled 'Dark Age Ahead' by Rocky Dobey.

'Interference Patterns', by Philippe Blanchard, expands on the boundaries of print through the use of projected video and installation.

'SHELTER in PLACE' features Rochelle Rubinstein’s block printed banners, which support and promote social and environmental advocacy. Rubinstein reworked her banners to respond to the Covid-19 pandemic.

'Pink city, Green branches revisited' is a collaborative reimagining of the installation created for Impact 10 in Santander, Spain, 2018, by artists Yael Brotman and Libby Hague.